This rough throw together looks clean and the timing of each cut is really nice (except for one shot of Allison that lingered a bit long. again, I don’t care for the shot anyway because it seems weird in continuity.)

You guys showed some really neat shots that I didn’t even know you got during filming! Pleasantly surprising..! Thanks for showing us these little bits, although I know you guys are holding back the real goods… (obviously, why wouldn’t you?)

I think it’s a good idea to hold close the input of people close to the film. There are several sets of positive, helpful eyes..so don’t be discouraged by people who purposely trash this process just to get you down. That’s just not classy. Mostly everyone on here is able to critique without being an asshole, but there’s always that one or two.

Some thangz:

Could you use the audio of Michael F. when he says “Fuck you!” but switch the visual to the other Mike or both of them or something? It would enhance the performance of both of them. Although, I don’t think it’s bad how it is at all, I just wonder what it would look like a different way.

Do you have a better shot of me trying to open the second door? At first I thought it was alright, but at least two other people think it looks “contrived” (and I have to be honest, the second door was always weird to me.. I think I needed a bigger running start for that one.. lol.)

I think you should scrap the “where the fuck is she line?” if you plan to use that sequence of them looking through the house (which I think is cool. Get really creative with the editing though if you can.)

You guys are really talented. There are a LOT of people that are excited to see the film!

Love,
me

Anyways,
I know you guys have mentioned scoring that is going to be done. How much input are you going to have over the style of music and the kind of instruments used? I always consider the music to be significantly important, and am just curious how much collaboration there will be with it.